Best two reviews:
1) Reason.com - For Baranski, who arrived to her second-banana job on The Good Wife through a career in comedy (notably as Cybill Shepard's drunken socialite sidekick in Cybill), this is the role of a lifetime, and she responds with the performance of a lifetime. (Rating: 90) Read Full Review >
2) Washington Post - With remarkable turnaround, the Kings and their collaborators have delivered a spinoff drama, The Good Fight, which, in its first two episodes, proves to be a more-than-worthy successor, with the potential to surpass the original. That’s the good news. (Rating: 90) Read Full Review >
Worst two reviews:
21) Newsday - Solid opener, compelling premise, good cast and one major hole. (Rating: 75) Read Full Review >
22) Variety - The Good Fight has to incorporate a host of supporting characters and cases of the week into the backstories of its multiple leads, and the results are occasionally a bit bumpy and scattered. All in all, however, it’s a promising endeavor, even if the lead characters are so understandably stressed that it’s a pleasure to check in on amusing scene-stealers like Eli Gold’s enterprising daughter, Marissa (Sarah Steele), and Denis O’Hare’s delightfully eccentric judge. (Rating: 70) Read Full Review >
1) Reason.com - For Baranski, who arrived to her second-banana job on The Good Wife through a career in comedy (notably as Cybill Shepard's drunken socialite sidekick in Cybill), this is the role of a lifetime, and she responds with the performance of a lifetime. (Rating: 90) Read Full Review >
2) Washington Post - With remarkable turnaround, the Kings and their collaborators have delivered a spinoff drama, The Good Fight, which, in its first two episodes, proves to be a more-than-worthy successor, with the potential to surpass the original. That’s the good news. (Rating: 90) Read Full Review >
Worst two reviews:
21) Newsday - Solid opener, compelling premise, good cast and one major hole. (Rating: 75) Read Full Review >
22) Variety - The Good Fight has to incorporate a host of supporting characters and cases of the week into the backstories of its multiple leads, and the results are occasionally a bit bumpy and scattered. All in all, however, it’s a promising endeavor, even if the lead characters are so understandably stressed that it’s a pleasure to check in on amusing scene-stealers like Eli Gold’s enterprising daughter, Marissa (Sarah Steele), and Denis O’Hare’s delightfully eccentric judge. (Rating: 70) Read Full Review >
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