Best two reviews:
1) RogerEbert.com- Moss continues to deliver what we crave from woman characters: the kind of messy yet sturdy intricacy many of today’s thinly conceived you-go-girl female superheroes continue to lack. (Rating: 100) Read Full Review >
2) - There’s no extraneous storytelling here, no scene that feels unnecessary, no scary moment that plays like it’s pandering. This is the expertly told, horrifying story of an abusive relationship filtered through the lens of a classic horror movie monster. (Rating: 92) Read Full Review >
Worst two reviews:
56) - It’s just a giant missed opportunity to be something more. (Rating: 37) Read Full Review >
57) - "Saw" writer Leigh Whannell mixes metaphors in this limp remake, using gaslighting and privacy fears for his uneven sci-fi horror. (Rating: 33) Read Full Review >
1) RogerEbert.com- Moss continues to deliver what we crave from woman characters: the kind of messy yet sturdy intricacy many of today’s thinly conceived you-go-girl female superheroes continue to lack. (Rating: 100) Read Full Review >
2) - There’s no extraneous storytelling here, no scene that feels unnecessary, no scary moment that plays like it’s pandering. This is the expertly told, horrifying story of an abusive relationship filtered through the lens of a classic horror movie monster. (Rating: 92) Read Full Review >
Worst two reviews:
56) - It’s just a giant missed opportunity to be something more. (Rating: 37) Read Full Review >
57) - "Saw" writer Leigh Whannell mixes metaphors in this limp remake, using gaslighting and privacy fears for his uneven sci-fi horror. (Rating: 33) Read Full Review >
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