Best two reviews:
1) - Eastwood once again takes a sharp stab at America’s penchant for attacking first, asking questions later. (Rating: 90) Read Full Review >
2) - It’s Hauser who carries the film in a rare and unlikely role, that of a presumed loser in life (the man did die just a few years later, at 44) who suffered very unwanted attention — but who, when he needed to, found a way to rise to the occasion. (Rating: 80) Read Full Review >
Worst two reviews:
5) - A good story is a good story, and Eastwood knows how to tell a good story. (Rating: 70) Read Full Review >
6) - Outside of its major assets, which include “I, Tonya” scene-stealer Paul Walter Hauser’s unapologetically showy performance as Jewell and Sam Rockwell’s sardonic turn as his underdog lawyer, there’s a mystifying lack of clarity to the dramatic impact this retelling is seeking. (Rating: 50) Read Full Review >
1) - Eastwood once again takes a sharp stab at America’s penchant for attacking first, asking questions later. (Rating: 90) Read Full Review >
2) - It’s Hauser who carries the film in a rare and unlikely role, that of a presumed loser in life (the man did die just a few years later, at 44) who suffered very unwanted attention — but who, when he needed to, found a way to rise to the occasion. (Rating: 80) Read Full Review >
Worst two reviews:
5) - A good story is a good story, and Eastwood knows how to tell a good story. (Rating: 70) Read Full Review >
6) - Outside of its major assets, which include “I, Tonya” scene-stealer Paul Walter Hauser’s unapologetically showy performance as Jewell and Sam Rockwell’s sardonic turn as his underdog lawyer, there’s a mystifying lack of clarity to the dramatic impact this retelling is seeking. (Rating: 50) Read Full Review >
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