Best two reviews:
1) Variety - Heinz, demonstrating considerable assurance in his feature directorial bow, makes good use of the chemistry between the two musicians. (Rating: 80) Read Full Review >
2) Los Angeles Times - The songs are lovely, and the first-time actors give performances that grow warmer as the film progresses, and their characters release, relax and find a groove, if only for this moment in time. (Rating: 80) Read Full Review >

Worst two reviews:
5) Washington Post - To his credit, Heinz leaves their relationship hovering in a state of unresolved potential. If only more of the movie’s scenes were like that: left to play out naturally, without the need to hammer home a theme of coming together. (Rating: 50) Read Full Review >
6) RogerEbert.com - Despite a few good scenes and ideas, and a final ten minutes that will be affecting for anyone who lived through the aftermath of the attacks on New York, the end product often feels like a standard-issue high concept romantic comedy with scaffolding of 9/11 solemnity built around it. (Rating: 38) Read Full Review >