Best two reviews:
1) ReelViews - Contact is that rare big-budget motion picture that places ideas, characters, and plot above everything else. (Rating: 100) Read Full Review >
2) Los Angeles Times - Contact is superior popular filmmaking, both polished and effective. But despite its success and its serious intentions, it's finally a movie where the storytelling makes more of an impact than the story. (Rating: 90) Read Full Review >
Worst two reviews:
20) Washington Post - The best moments occur when -- as in reality -- we're still in the dark. As soon as the movie gets to its version of a punch line, it turns into another Hollywood vehicle spinning aimlessly in space. (Rating: 50) Read Full Review >
21) Washington Post - In some ways, Contact is just like the universe: big, star-bright and seemingly endless. Not to mention that it begins with a big bang, gradually falls into a lull and finally succumbs to entropy. (Rating: 40) Read Full Review >
1) ReelViews - Contact is that rare big-budget motion picture that places ideas, characters, and plot above everything else. (Rating: 100) Read Full Review >
2) Los Angeles Times - Contact is superior popular filmmaking, both polished and effective. But despite its success and its serious intentions, it's finally a movie where the storytelling makes more of an impact than the story. (Rating: 90) Read Full Review >
Worst two reviews:
20) Washington Post - The best moments occur when -- as in reality -- we're still in the dark. As soon as the movie gets to its version of a punch line, it turns into another Hollywood vehicle spinning aimlessly in space. (Rating: 50) Read Full Review >
21) Washington Post - In some ways, Contact is just like the universe: big, star-bright and seemingly endless. Not to mention that it begins with a big bang, gradually falls into a lull and finally succumbs to entropy. (Rating: 40) Read Full Review >
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